Deck Review: The Stretch Tarot

Here is a deck I’ve been waiting on for sometime, even contemplated it for my Tarot of the QTPOC series. The Stretch Tarot is a ‘mixed-media’ collage tarot deck by the artist and creator J.E. Stretch. The imagery is drawn from vintage photographs and art pulled together to evoke images representative of the tarot.

“The history of the tarot is shrouded in as much mystery as the symbolism of the cards themselves holds to the layman. Yet we all share the same image – a Victorian fortune-teller, fanning the cards in the low, orange haze of gas lamps and candlelight in a dingy parlour. In ‘The Stretch Tarot’, this stereotype is embraced and heightened through the use of public domain, 19th-20th century photography and illustrations – bringing you the ‘authentic’ atmosphere of the tarot and making this mystic fantasy an exciting reality.” – J.E. Stretch

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My birth cards, not the most impressive cards in the deck but quite beautiful nonetheless

The resulting effect is absolutely breathtaking. So much so that even though I hardly ever buy decks featuring humans that wouldn’t go on my Tarot of the QTPOC list, I made an exception. Regarding that, by the way, I acknowledge that the artist made an effort to inclusion however most of the deck is still very white, queerness can be gleaned from one or two cards (the Four of Pentacles and Two of Cups are easy to read as queer), and it is overall pretty damned normative (I happily accept all arguments to the contrary, give me a better excuse to love this deck as much as I do, y’all). Token additions as an afterthought are not enough. It’s a start; it cannot be the final result. I encourage deck creators to begin from the point of inclusion. Diversity should never be an afterthought.

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The deck comes with two Magicians, the woman on the left being the second one the artist created as a bonus gift to contributors to the original Kickstarter. I absolutely prefer the sly and wary femme, naturally.

The art is definitely a derivative of the RWS tradition with the imagery pretty much staying true to the general energy. I will say that in quite a few cards, Stretch’s art makes the meaning clearer and at times highlights a perspective often ignored- as in the stark but still warm Ten of Pentacles and a near supplicant Star. In some cards, I’d have actually preferred a deviation, or a deeper look- the Death and Devil card immediately come to mind as they are a bit on the nose relative to the aesthetics established in the other cards’ imagery.

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I adore the clarity of the  Judgement card; Temperance is simply lovely; The Fool is classic

It might put off experienced readers to find that there are keywords in the minors. I don’t mind this so much, though it can feel limiting if you aren’t able to ignore those keywords. A positive spin is that the keywords aren’t in particularly large print and the style Stretch uses nearly blends them into the card. I will allow that a beginner coming into tarot might find this comforting.

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Ace of Pentacles; one of the best interpretations of 10 of Pentacles out there in my opinion; Eight of Pentacles is the card that finally convinced me to press buy at the deck’s shop

The keywords won’t be much of a worry for too long. You’ll be too busy gazing deep into the cards, searching out the details, to worry about some text. Some cards are straight forward, like the Aces or the courts, but some like the Eight of Swords have layers for days that I could search out endlessly. It’s always a treat to have a deck that gives its minors as much consideration as the majors. I thought it was a lovely touch that the color theme of the suits was suited to their energies: the Wands are in fiery reds and browns; Pentacles in stark green, brown, and greys; Cups in lovely blues; and Swords in browns and dull yellows.

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Ace of Swords; I could stare at the Eight of Swords for days; a sly Seven of Swords

Though the art is often very layered, this isn’t a deck that requires too much energy to intuit its message. It gives you the option of staring into its depth or looking on the surface. You’ll get what you need either way. I love that. Readers who work with reversals will be very happy to know that the card backs, a simple but lovely painting of golden stars, are fully reversible.

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The Cups suit is stunning, look at the Page; Ace of Cups; Seven of Cups

The card stock is pretty good, average size cards, firm and done up with a matte finish. I think this is best for the aesthetics of the card though I do warn that you’ll need a firm shuffling hand. Due to the matte finish the cards have little friction and are liable to jump out of your stack. On the other hand, jumper cards have their stories to tell you too!

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Four of Wands done right; 10 of Wands so heavy I dropped it on sight; 9 of Wands that has me conflicted- on one hand how nice to see a Black woman featured, on the other hand it would be wonderful if dark-skinned women in tarot art didn’t feature so heavily in cards that evoke strength, perseverance or endurance. We’d like to be soft and vulnerable too. Find us some Cups cards to be featured in- draw me like one of your French girls!

The deck comes with a LWB that has pretty standard keyword meanings for upright and reversed cards. This will probably not get much use from someone with more familiarity. In fact, if you no longer work with keywords, don’t bother and just sit with the cards and see what happens. Go back to the LWB only to glean the artist’s POV  or to spark a missed perspective. Word is that the artist is creating a more in-depth guidebook, tentatively named Art of the Arcana, to accompany the art. I’ll certainly be keeping a lookout for it.

You can purchase the deck at it’s site here and do support the artist.

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3 thoughts on “Deck Review: The Stretch Tarot

  1. Edyss says:

    I have this deck. I even flipped through it while reading your review.

    I want to like this deck.

    I want to like this deck.

    But it’s hard. Really hard. I guess part of my issue was that when I first opened it and started going through the MA cards, I saw no PoCs at all. That sort of put me off (I know PoCs are scattered in later, but this was my first impression). Part of me wonders if the woman on the Page of Pentacles could have played a role in the MA..the Hierophant (if that’s a bible in her hands) perhaps? I love the image of the old woman on the Wheel of Fortune card. And the Eight of Pentacles card is beautiful. In any case, thanks for making me give this deck a shot again.:-)

    Liked by 1 person

    • Asali says:

      It’s not a bad deck. It’s just a really white and generally normative deck. I’m very aware that if I wasn’t weak about pretty things I would never purchase this deck. And gosh the few cards with POC are so pretty. I counted once while viewing a flip through on YouTube. About 14 to 16 “diverse” cards that I could see. Out of 78. 😒 And those were almost entirely an afterthought by the artist after he was called out on it. I find it amazing that deck creators are still out here with such normative decks.

      Which is all go say, don’t force yourself. If the deck needs to move on to someone else, that’s what it needs to do for you.

      Like

  2. Edyss says:

    “Which is all go say, don’t force yourself. If the deck needs to move on to someone else, that’s what it needs to do for you.” Thanks.:-) I’m trying to work on my knee-jerk reaction to decks though. I have a tendency to go, “Ugh,” right off the bat if I don’t like a deck. It could be that I need to learn something from that deck. Who knows? I’ll sit with this one for a bit and then make a decision.

    Liked by 1 person

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